Writing With Heart or Mind?

I’m a pisces, but I only inherited the creative flake side of that zodiac sign. I did not inherit the over-emotional weepy side, or much semblance of emotional depth at all. I’m logic-oriented, which strikes most people as being cold, aloof, or even clueless about human interaction. For example, people wonder how I could consider something like a pre-nup, or why I always add the “if we broke up” caveat when I talk about my relationship. To an emotional person, my caution to trust my finances and future with my partner of four years means that “I don’t really love/trust him.”

Bollocks. It’s got nothing to do with love or trust. When I consider marriage, all I see is the 50% fail rate. Both my parents have been divorced twice and I’m not naive enough to think it can’t happen to me.  But with all aspects of my life, I always have a Plan B. I don’t trust life to go right the first time. And because I hold others to high standards when it comes to their life choices (as in, not making dumb mistakes), I expect myself to do the same.

What’s this got to do with writing? Well, my logical objectivist mind doesn’t seem like a great conduit for creativity, does it? As I said yesterday, empathy is necessary for an author. To make readers have an emotional response, we must know how that response should feel. We must know what makes US feel that response. What makes us cry? What makes us angry? What makes us feel beauty?

I struggle with this sometimes. It’s not my nature to write from the heart. I write a web of plot from my mind. My characters are designed logically, featuring personality traits meant to manipulate the audience into liking and relating to them. I do try to create high emotional climaxes, as well as emotional depth in my characters, but it often misses the mark. Either betas don’t “get” that I was going for their heartstrings, or I made the characters emotional to the point of being whiny.

But emotions do inspire me. They might not result in full-length books, but they do result in ideas. My revulsion upon visiting Space X, and my fear for any future astronaut friends, is what inspired me to write my short story Goliath. When I was in a long-distance relationship, I wanted to write a story about longing. About being in a relationship that was very far apart, but perhaps not by physical distance (this turned into a plot bunny where one member of the couple slowly goes blind over the course of their life. The eventual lack of shared sight becomes a distance that creates longing). Fear is one of my most powerful emotions to draw from, because fear and anxiety are the two emotions of which I’m most capable. I rarely get angry or ecstatic. I rarely get melancholy. But I’m a worrier. And it’s the things I worry about that inspire pretty good stories for me. Many of my story ideas have a sense of “uhgh, hope that never happens to me…”

And don’t underestimate the emotion of caring. I love the projects I work on. I care about them deeply. That’s certainly an emotion, and I hope it’s obvious that my book is a labor of love. Perhaps it’s not an overt emotion on the page, but that love is subtext beneath the print. Most of my favorite works of fiction have an obvious amount of love put into them (Guardians of the Galaxy is a recent example) and it’s amazing how much quality that gives a story.

So I don’t think you need to be a bleeding heart in order to write good stories. If you have enough emotion to care about what you’re writing, that’s all the reader will see in the end.

Creating A Creative Space


This is my studio. It’s pretty messy right now, as it’s still a work in progress from when I moved in last September. Everything seems to end up in this room – storage, odds and ends, my collection of Mickey Mouse plushies. But I was really excited at the prospect of having a studio when I first moved out on my own. To have a space that’s sole purpose is creativity.

Unfortunately, old habits die hard. When you’ve spent your life writing in bed or in a living room recliner, it’s hard to find creative juices elsewhere. My studio mostly sits untouched, unused, as a glorified closet. About 90% of the time, I can be found lounging in bed with my laptop instead.

For a multitude of reasons – namely, my chiropractor’s stern admonishments and Austin’s impending move-in/conflicting sleep schedule – I need to start using the studio I worked so hard to build. Writing in bed is just not an option anymore. I’ve got a cute Pier 1 writing desk in the corner there, and it demands to be used!

So this is my project for the month, especially while my betas are hard at work on their reading. Get the studio clean and organized, and get into the habit of spending all my creative time here instead of on the pillows. I know that creativity comes from within, not from the place you’re writing in. It’s all just habit. I wrote my first three Heroes novels in that chair, after all ;)

Do you have a creative space in your home? Where is your favorite place to write?